BEYOND REACH at Supertoon2014





 "Beyond reach", the music video I've made for Negar Bouban's song has been selected in the official competition of Supertoon2014 (Croatia) in the category of music video competition. The festival will start tonight and will go on till the first of August.
 
Here is the link to the trailer of "Beyond reach":
Excerpts from '' Beyond Reach''


Link to the festival program. Our work is under the category of COMPETITION OF ANIMATED MUSIC VIDEOS:

Official competition- Supertoon 2014

An avant-goût : "Les remparts de Varsovie 1943-44"


The most enjoyable part of my work is the first sketches I do for the animations-to-be.

A couple of months ago I started working on a project about the story of a woman  during the uprising in Warsaw during the second world war . I've done a few minutes of animation for this documentary called "Les remparts de Varsovie 1943-44".

 Today I was going through the first sketches, comparing them with the final result. 

;) ! Not bad!

This is only an avant-goût! I'll post the videos and more info about this collaboration very soon! 

"Les remparts de Varsovie 1943-44" is a production of association MEDIEL asbl and André Bossuroy (Belgium) as director and producer. 



"Where have I seen this before? "- Some photos and an interview












An interview mainly but not only about my animation installation "Where have I seen this before?".  16 site-specific animations were selected by Animafest and the museum of contemporary art in Zagreb(MSU) to be projected on the façade of the museum from May 23 to June 8, 2014.

This interview was done by Dolores Marčetić, during my visit to Animafest 2014.


By the way it is published in Croatian!

www.libela.org/razgovor/5179-umjetnici-e-u-iranu-zele-prijeci-granice-i-otvoriti-se-svijetu/

"Where have I seen this before" in Zagreb!


An adaptation of the window installation “Where have I seen this before” that I’ve created for the windows of M.A.I. has been selected to be projected on the media facade of MSU (Museum of contemporary art-Zagreb) as part of Animation goes MSU in collaboration with Zagreb Animafest.
A special thanks to Éléonore Goldberg (Animator and colorist), Jean-Christophe Leblond (Urban elements design) and Julie Verfaillie who did a great job for the sound and music of the original work. Although this adaptation will be presented without music because of the limitations of the site but this work owes a lot to her beautiful audio creation.


The first version of this animation was created in 2012 during my residency at MAI (Montréal, arts interculturels) and Prim Centre, with the financial support of M.A.I. long-term mentorship program. 


My work will be presented on the MSU façade with 15 other animation works from Japan, Australia, China, USA, Croatia, Austria, Serbia and New Zealand. The opening was on the 23rd of May and the projections will go on till the 8th of June. I'll be there from the 31st to the 8th. I've never been to Zagreb and am really looking forward to a week of adventure, observation, thinking and insta-drawing in a company of the big animation community!





"Un regard sur l'animation iranienne contemporaine"

Finally the idea I was working on for a long time cam into life and it happened! A selection of 22 animations produced in Iran during the last 10 years was programmed to be shown as part of the Cinemathèque Québécoise's spring program.

Below is an interview between Détective Animé and Parissa (Two souls living in the same body) on the how and why I decided to work on this idea.


Un regard sur l'animation iranienne contemporaine

Program 1

program 2




May 2014, Montreal

Détective Animé: Hello Parissa! Nice to have you with us here on your own blog! Could you tell me a bit about yourself?

Im a Montréal based artist, making animation films and videos. I was born in Tehran, Iran, where I lived for 25 years. Thats where I started my studies in Stage and Design at the Cinema and Theatre School of Tehran Art University. I later moved to Montreal in 2005 to study film animation at Concordia University.


Détective Animé: Tell us about your idea. How did you come up with the idea of an Iranian animation program?

Im a big fan of film festivals and Im always very keen to see programs from other countries especially those who are less known. Also what I always check on the festival lists, out of curiosity, is the name of Iran as country of production. For reasons that are still unclear to me there are not so many Iranian animations presented in Canadian animation festivals. So I thought somebody had to do that. It was in 2010. 

The idea was formed as I started talking to colleagues about it. I knew I wanted it to be focused on a very specific time span and subject. For this program, I knew I didnt want to present something like Iranian animation from the beginning to the present. I really like to see how filmmakers are working in other countries in our time. How they talk about their ideas and what they are talking about in their work. Last year, I attended a retrospective of Japanese animations from Tokyo University, which was brought to Montréal by Masaki Okuda. I somehow felt that often we talk about very similar themes but depending on where we live and work we set these themes in different contexts and situations. We also tend to narrate our ideas in completely different ways.


Détective Animé:  Why did you choose a time span of ten years?

Im myself very interested in what is going on around the world in animation filmmaking. How animators make films under different circumstances and within different production standards. At the same time, the generation who has been involved in the Iranian animation filmmaking in the last ten years has passed through a very specific period of Iranian history. We have experienced a revolution and few years of war. At the same time we have taken enough distance from both of these important events and we are now in a position to look at all that we went through from a different perspective.

Détective Animé: Why did you focus your selection to the films produced in Iran and not the animation films by Iranian cineastes produced outside of Iran?

What was important to me was to narrow this study and to focus as much as I could to a specific period of time and place. My goal was to show how animation filmmakers work and create inside Iran in their specific context and within their limits .

Détective Animé:  How did you approach cineastes?
I asked artists and filmmakers I knew back in Iran, to suggest me a list of independent animation filmmakers. I also made a vast search on the Internet. I went through the list of animation festivals inside and outside Iran to look for the films. I made a long list and I started contacting filmmakers when I was in Tehran in 2012 and 2013. I met a lot of these filmmakers in person, and had the opportunity to talk more in detail about their films and the situation they are working in. Its so different when you meet someone in person rather than exchanging some lines in an email asking them to send you their work. It gave me a chance to have a better idea of the reality of animation filmmakers there.

During one of my trips I received a message from Kanoon's international affair section. Kanoon is an institute for cultural development of children and young adults. Indeed the first seeds of animation filmmaking in Iran have been planted in this institute. The cinema section of Kanoon is still one of the important producers of short animations in Iran. They showed interest in joining the project.  Again what I noticed with Kanoon was that despite their regular distribution in Europe they still dont have that much exchange with Canada. Thats how we decided to add some Kanoon productions to these programs.  

Détective Animé:  Why did you think of Cinémathèque Québécoise as the venue?
Cinémathèuque Québécoise is a prestigious institute for the cinephiles and professionals in film, video and new media. Animation is one of their specialties as an archive and as a cinema; the Cinematheque screens animations programs on a regular basis and they also organize the international animation festival Les sommets du cinema danimation every year. I couldnt think of a better place for this program. I proposed this idea to Marco de Blois and he gave me carte-blanche and a lot of good suggestions.


Détective Animé: What are the themes and techniques of the films presented in these two programs?

I tried to choose films within different techniques. For this selection my focus was to find animations that fit into the context of short-film animation (I excluded television series or commissioned works). What is also called Festival-style animation. I also tried to consider different techniques but still most of the selected films are 2D animations. One theme that is very present in the films of the last ten years is Resistance and War. There is also an effort to approach traditional rituals, stories and characters that are about to fade or do not exist anymore in our contemporary life in Iran.




I would like to thank:
My filmmaker friend Minou Jan Mohammadi who helped me in the very beginning of this project. She was living in Toronto at the time and did a big effort in finding and suggesting different possible venues. She was the one who broke the ice for me!

This program owes a lot to the ambitious mind of Elaheh Goudarzi, a great animator and filmmaker working in Tehran. She brought up the idea of collaborating with Kanoon and she made this job possible.

Gita Mohseni, the dear lady in charge of international section of Kanoon who did her best to make this collaboration happen

Merci à:
Éléonore Goldberg
Jean-Christophe Leblond for editing and translating the materials
Delaram Karkheiran
Saeed Zarei
Maryam Khalilzadeh

All the filmmakers who contributed to this program!


And of course un grand Merci à Marco de Blois who said: “YES! GO!”









Détective Animé @ fishing all through the winter

I took sometimes off from my blog. I went on a trip, I watched a lot of Iranian short animations from the last 10 years. I met a lot of independent animators and filmmakers. I will soon write a post about this project.

 At the end of my trip to wonderland I came back home and it was white everywhere. I started a new job and I reduced the speed of my life a bit. Winter helped me look at what I've already done and where I eventually want to go.

 While I was in Tehran,I started to draw what fascinated me in my daily life and I continued that at my return on a daily, weekly basis. Surprisingly, my ideas are transferred so differently on the paper that I get to realize and to accept that what I seem to see is not what I really see. In other words what I think I see is not really what I see. The image I keep in my mind from my surrounding is a mix of what is transferred through my eyes + what I like to see + what I already have in my mind at that moment.

I put these drawings on my instagram . You find a link to this page on the right column of my blog. It's snowing again!

Détective Animé@ More pain, more film!



Trying to dance flamenco made me accept  that I need to do something before it's too late. Being 33 and by nodoubt one of the weakest women of our group in terms of muscle force is not something to be proud of!

So I decided to give swimming another try and that's how the first sparkles for an animation film appeared as I was under the shower in the changing room area.

More pain, more film!

Voila the first tests for this idea.

Détective Animé@ Conversations with Ai Weiwei


A great reading on art and blogging. Weiwei became an architect by accidentally buying a book. This book was about an architect who decided to design a house for his mother.  Wiewei became a blogger but he didn't have any idea how these things  work, but he seized the opportunity when they offered him an empty online space called a blog to fill with words.

Being open to the unknown and confronting life and it's unexpected moments are the keys to his successful career.

"After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product."
Ai Weiwei, "Ai Weiwei speaks, with Hans Ulrich Obrist"